Transrealism (science fiction) is a literary mode that mixes the techniques of incorporating fantastic elements used in science fiction with the techniques of describing immediate perceptions from naturalistic realism. While combining the strengths of the two approaches, it is largely a reaction to their perceived weaknesses. Transrealism addresses the escapism and disconnect with reality of science fiction by providing for superior characterization through autobiographical features and simulation of the author’s acquaintances. It addresses the tiredness and boundaries of realism by using fantastic elements to create new metaphors for psychological change and to incorporate the author’s perception of a higher reality in which life is embedded. One possible source for this higher reality is the increasingly strange models of the universe put forward in theoretical astrophysics.

Transrealism has its historic antecedents in cyberpunk and Philip K. Dick, who can be considered a proto-transrealist author. Its main proponent and prominent figure is science fiction author Rudy Rucker. Rucker coined the term “transrealism” after seeing Dick’s A Scanner Darkly described as “transcendental autobiography,” and expounded the principles of transrealism in a short essay titled “A Transrealist Manifesto” in 1983. Rucker applied many of these principles in his short stories and novels, notably White Light and Saucer Wisdom. Damien Broderick has identified some other authors that have at some time utilized transrealist tropes to include Martin Amis, Margaret Atwood, Iain Banks, John Barth, J.G. Ballard, John Calvin Batchelor, Jonathon Carroll, Karen Joy Fowler, Lisa Goldstein, James Morrow, Thomas Pynchon, Joanna Russ and James Tiptree Jr.

Wikipedia: Transrealism

Rudy Rucker’s Transrealism Manifesto (PDF)

(The whole landscape becomes indistinct. A forest ebbs out and a wall of rough rock ebbs in, through which can be seen a gateway. The two men pass through the gateway. What happened to the forest? The two men did not really move; they did not really go anywhere, and yet they are not now where they originally were. Here time turns into space. Wagner began Parsifal in 1845. He died in 1873, long before Hermann Minkowski postulated four-dimensional space-time (1908). The source-basis for Parsifal consisted of Celtic legends, and Wagner’s research into Buddhism for his never-written opera about the Buddha to be called “The Victors” (Die Sieger). Where did Richard Wagner get the notion that time could turn into space?)

And if time can turn into space, can space turn into time? (40-41)

PKD/HLF came to believe that Thomas was also Elijah, John the Baptist, Dionysos, the Buddha, and many others, all at once. They were, according the HLF, homoplasmates—living human embodiments of the Logos, the Logos being not simply the word of God through Christ, but living information, which was also a secret to transcend time. HLF called the Logos plasmate, and believed this secret was a technology for eternal life that the early Christians understood, as well as the Rosicrucian Order, the Renaissance alchemists, Apollonius of Tyana, Elijah, Dionysos, the Dogon of western Sudan, the Gnostics as recorded in the Nag Hammadi library, and others. The fish symbol, as well as being a representation of the age of Pisces, was a geometrical symbol of two circles with the same radius that each have their centers intersecting with the other circle’s circumference. The center of that intersection is the fish symbol. Take just that central intersection image and twist it, and you get the double helix of DNA.

Full Story: Dark UFO.

The book John Locke brings Ben at the beginning of tonight is VALIS by Philip K. Dick. It’s difficult to summarize, or to overstate, the importance of Dick, and of VALIS in the modern occulture.

Philip K. Dick was a science fiction author, responsible for the stories that became Blade Runner, Minority Report, A Scanner Darkly, and Total Recall (amongst many others). His work frequently speculated as to the nature of reality, and frequently with the subjects of control, authority, and paranoia. VALIS was one of his final works, a semi-autobiographical book based largely on the mysterical experience/mental breakdown he experienced.

Notably, VALIS deals heavily with gnostic themes. Wikipedia on Gnosticism:

Gnosticism refers to a diverse, syncretistic religious movement consisting of various belief systems generally united in the teaching that humans are divine souls trapped in a material world created by an imperfect spirit, the demiurge, who is frequently identified with the Abrahamic God. The demiurge may be depicted as an embodiment of evil, or in other instances as merely imperfect and as benevolent as its inadequacy permits. This demiurge exists alongside another remote and unknowable supreme being that embodies good. In order to free oneself from the inferior material world, one needs gnosis, or esoteric spiritual knowledge available to all through direct experience or knowledge (gnosis) of God. Jesus of Nazareth is identified by some Gnostic sects as an embodiment of the supreme being who became incarnate to bring gnosis to the Earth. In others he was thought to be a gnosis teacher, and yet others, nothing more than a man.

Gnosticism could bridge the seemingly contradictory Buddhist and Catholic themes of the show.

More:

The Religious Experience of Philip K. Dick, an online comic about Dick’s experience by Robert Crumb.